Have you ever regretted selling a guitar?
It’s a crossroads that nearly every guitarist has come to at some point or another. Share your story with us
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“It’s the same, loud, high headroom amp but with a more open-sounding clean tone that boasts a little extra life”: Fender Hot Rod Deluxe 30th Anniversary review
Fender celebrates 30 years of the ubiquitous Hot Rod Deluxe with an Anniversary edition that boasts a speaker change and a classy aesthetic
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“We wanted to do things at a certain speed, but the label didn’t. They let us go”: Meet STONE, the Liverpool alt-rockers who quit their major label, wowed Yungblud’s fans and wrote their new album on a Gibson missing a string
Second album AUTONOMY is a strike for freedom for the Liverpool quartet, who felt limited in their corporate environment
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“James asked if I wrote the bassline – he was mad at me for not getting a cowriting credit”: How Allen McGrier brought his Jamerson-approved Detroit swagger to a classic R&B ballad
Bassist Allen McGrier grew up in the shadows of Motown and the Jamerson family in particular
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“For any singer-songwriter, busker or open-mic-night trooper it really has everything going for it”: Faith PJE Legacy FG4Earth review
Patrick James Eggle’s take on the OM body shape is built by Faith’s facility in Indonesia and based around PJE’s Linville model from his acoustic-building days. But does it rock our world?
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“It’s like a Christopher Nolan movie in a pedal. Don’t think – feel”: EarthQuaker Devices Towers review
The latest entry into EarthQuaker Device’s range of revolutionary ambience machines will make you rethink your relationship with reverb
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“These items represent fifty years of memories and experiences with the Grateful Dead”: Following the record-breaking sale of Jerry Garcia’s “Tiger,” more Grateful Dead and Garcia guitar gear is coming up for auction
More than 300 pieces from the inner circle of the Grateful Dead and Jerry Garcia are currently up for grabs – including Garcia’s studio‑ and video‑played pre‑war Gibson Super 400N
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“I was amazed that my hard work might come back to help me”: Jim Gustafson and Poobah endured decades in the dark, but now their early albums are selling for $1,000 a copy
Even though his band was produced by Billy Cox and opened for Judas Priest, Alice Cooper, Ted Nugent, and countless others, industry issues held him back. And yet, powered by his original Marshalls and pedals, Jim Gustafson’s determination means he’s still out there today